Matterhorn

Camped up near a lake last night and shot this on my little Lumix GF1 (14-45 lens), which I love to use for sketches, and it's also great for being able to post some insights straight away from a trip :-) I also made some Velvia shots on my trusty Mamiya 7II too. The Matterhorn is perhaps the most iconic of mountains for me, It just has a shape that I think all mountains should aspire to ;-)

Here's a wee photo of my favourite camera in the world (Mamiya 7II, along with a Sekonic 758 spot meter and a set of Lee grads in a leather case:

When we camped up there, we had a full moon, so I decided to try to make some shots with the Lumix, but the 'live-view' feature is hopeless in semi-darkness, and I found it hard to set the manual focus on the camera, as you can see below:

Looking the other way, we watched as the Moon raised its head above a mountain ridge and glacier:

I will be posting more about my Switzerland trip next week.

Until then, did I tell you that I've just released a book (hard sell!)... see below :-)

Book Announcement

Well, the announcement says it all.

I would like to let you know that my very first hard bound book is now available for advanced order. It will ship around the 11th of November.

This book has taken some time to prepare. It's been an interesting project for me for many reason. Firstly, there is, perhaps, the issue of how does one prepare their work for print? Which images should I use? and how should the book look? Well, it turned out that this was the easy step. Bringing an idea, a concept into reality, is something that comes slowly, and this one has been coming together for more than one year.

I would therefore like to express my deepest gratitude to the wonderfully inspirational Michael Kenna for being so kind and generous with his time. Michael opens the book with a humorous and gentle reminder of what it is to be a landscape photographer.

A preview of the book is now available, along with the option to make an advanced order at the Half-Light Press web site. The first orders will go out on the 11th of November.

In the meantime, here are some nice shots of the book, made by my friend Darren in his studio:

Please visit the Half-Light Press web site for more information and to make an advanced order. The first orders will go out on the 11th of November.

Advanced copies of my book arrived

Yesterday I received four advanced copies of my book. I just thought I'd write a short post today to tell you all that the book printing quality has far exceeded my expectations.

I've heard so many scary stories of people having trouble with printers and the book quality not matching what they were looking for. I'm now of the opinion this is perhaps due to one of two reasons:

1) The photographer did not have a colour managed system

2) The printer is old-school and is not colour managed either

My printer is well regarded for making high end art books and their process conforms to the FOGRA ISO standard. The proofs I received were very accurate - matching what I saw on my calibrated system at home, and the final books match the proofs, but exceed in terms of final paper and contrast quality.

The book is going to be photographed this week, so I will post some images as soon as I have some to show you.

Edward Burtynsky - Manufactured Landscapes

Many years ago, when I first decided to venture out there, and conduct my first photographic workshop, I set it up in Torres del Paine national park in Chilean patagonia. My clients included two Canadians who spent their time talking to me about many photographers. One of their idols was Edward Burtynsky. I'll admit that at that point in my photography, I'd never heard of him.

But the world is full of talented individuals.

After the workshop, I parted company with my Canadian clients, and went home for a long earned rest. A few weeks passed, and one morning the door bell rang. The post man stood outside my door holding a large cardboard carton. I took it inside and wondered what might be inside. Upon opening the box, I found a copy of 'Manufactured Landscapes' but Edward Burtynsky. It had been sent to me by my Canadian clients, I'm sure, as a response to our conversations during the Patagonian workshop. The gesture blew me away because I realised that what we had been discussing during the trip had resonated with them in such a way that they felt inclined to send me a copy of one of Canada's most prominent photographers.

Also included inside the box, was a copy of Pico Iyer's short story about visiting Iceland. I had discussed Iceland with my Canadian clients, and in particular - Mary, had felt a connection with my stories of the country, and the short story of Iceland by Iyer, and had decided to include a photocopy of the story for me. It was a great read and it reminded me very much of my first time visiting Iceland in 2004 (I now own a copy of Pico Iyer's book of short stories about his travels - thanks to Mary).

Anyway, I digress. I'd been sent a present! And that present was the result of some engaging conversations during the workshop in Patagonia.

I wasn't familiar with Burtynsky's work, but when I looked through the finely printed coffee table book, I became very engaged in what I saw. I had no reason to read the text, because contained within the pages were high detail (large format) photographs of mass-scale ecological production / waste management throughout the world. I had simply no idea, for instance, that there exists rivers of molten steal, landscapes of worn out tires, sky rise blocks of mined chalk, all consumables, all on a mass scale, all which could be easily interpreted as some normal landscape, until I looked a little closer and realised that this was all the product of a race that consumes and discards with little or no thought for the finite resources of the planet. Burtynsky was spelling out mass-scale environmental issues simply by using his large format camera to capture the finer details in a massive landscape of consumable, or discarded, material.

This week I dug out Manufactured landscape by Burtynsky. It is an absorbing volume. A large scale coffee table book, beautifully printed, the cover gives the illusion of a natural landscape (I thought lava flows, only to discover that it is a man-made landscape of molten steal)... sometimes we need to look at industrialisation in its rawest form. Landscape photography is not just about capturing the essence of natural beauty in the word, it can also be a valid way of throwing up a mirror and exposing ourselves to who we really are, and how we treat our environment.

Highly recommended.

You can, of course, get it from Beyond Words here.

Foil Stamp

I'm just home from my Eigg workshop. Today I got some news from my book printer. So here is a little glimpse of the cloth cover of my forthcoming book. Printer will be sending me some advanced copies in a week or so. More concrete news to follow.

The Eigg workshop went very well, despite us having to leave a day early because the wind had kicked up so much we may have not got off the island today. The food at the B&B was as usual fantastic and the group I had with me were great fun. I have a few stories to tell from this trip and I hope to post some information about one of my participants who owns a camera rental outfit in Chicago called ProGear. Doug Sperling showed us some phase-one images and discussed some very interesting aspects such as lens choice. It seems that the tonal range captured by the phase one backs can be significantly affected by the type of lens you put in front of the sensor and we saw some images were highlights were lost using one lens and restored using another.

I think the highlight for me this week was forgetting my head torch, and myself and John, who is from Egypt had to walk down the single track road in complete darkness to our cottage. I have to say it was absolute black as we didn't find our eyes adjusted to the night. I thought I could gauge where to put my feet by listening to them on the tarmac. I failed miserably and managed to walk right off the road a few times and into some thorns. Ouch.

Still, I find the life I lead these days a very surprising one. If someone had told me I would be on an island trying to navigate in absolute darkness with an Egyptian client at 11pm a few years ago, I don't think I would have believed it.

Anyway, digressing a little here, I expect an announcement about the release of the book in a couple of weeks. I should have some advanced copies end of September to show you all.

Intermission

I'm away to the isle of Eigg to do a workshop this week. Service will be resumed once I'm back. in the meantime, enjoy this intermission.

Electric Counterpoint

Every now and then on this blog, I like to write about something that gives me inspiration, that is not perhaps directly connected to the world of photography.

I'm a huge Steve Reich fan. For those of you who do not know him, he is an avant-garde musician who specialises in syncopated rhythms, always using an orchestra to play his music. Two of his pieces stand out for me; Music for 18 musicians and Electric Counterpoint.

The above video is Royksopp's reinterpretation of Electric Counterpoint by Reich. But if you want to hear something more true to Reich then listen to this video:

If you're into listening to something that is hypnotic, something you can let float around in the background while you get on with something else, then look it up on Spotify and try it out. It's not for everyone.

For me, the music seems to feed a part of my brain that needs to have order and rhythm. Sometimes when I want to listen to music, I don't really want to hear a song, or melody, I'm just looking for sound and something that will fill the space between silence and my conscious thoughts.

Inspiration should come from anywhere. A story, a piece of poetry, a song, a joke, a piece of syncopated music. Anything.

I find there are certain things I'm deeply attracted to. They are beautiful but they also have some form of cerebral entertainment that keep my mind company.

To do well in photography, you need to have an inquisitive, receptive mind. I love lots of things for different reasons, but they all connect with that part of me that is passionate about photography. If you love photography, you love the arts. There are no boundaries, so find inspiration in other mediums, it's all out there waiting for you.

Publish your Photography Book

A few weeks ago, Neil from Beyond Words Books gave me a copy of the book 'Publish Your Photography Book' by Darius D Himes & Mary Virginia Swanson. Which I will now refer to as PYPB in this review.

Before you decide that this article is not for you - stop. There is no reason why you shouldn't put your own book together, as I'll explain further down.

I remember thinking 'oh, perfect timing', as he surprised me with it, as I've just finalised the proofs for my own book, paid the remaining amount due to the printer and am now eagerly awaiting some advanced copies of the book.

So yes, I thought the timing of receiving this book was a little off. But perhaps because I've gone through the process of putting my own book together, it's been really interesting reading PYPB. I think there's a lot of useful information in here if you're considering publishing, or getting published because it has plenty of case studies from publishers and also photographers on how their book idea came about and how it moved from being an idea into something real.

I don't think this book would have helped me get published, or help me get round to self publishing - that kind of thing really needs you to have a sense of drive and determination to overcome plenty of odds. What this book does though, is help plant some seeds, make you think more about why you want to publish a book and perhaps the most important question of all: what market the book should be about - who is it aimed at.

In particular, what I found most interesting was that 'best of' books aren't a good idea. Books that sell have a strong theme rather than being a collection of all your best images into one bundle. I can appreciate that this would be true for most photographers that no one has heard of - sure - the photos should speak for themselves, but most people want to know what it is they're buying and why would you want to buy a collection of nice photos from anyone if there's no solid theme or message contained within?

This caused me a little panic at first, since my forthcoming book is more or less a retrospective of images I've shot over the past 10 years. But I soon calmed down when I remembered that I also decided my book should have some form of teaching and message contained within for the reader. Each image has a text that explains the making of and also thought processes I went through. But I also realise that most of the people who will be buying my book, are buying it because they know who I am, and they like my work.

Anyway, if you are considering making your own book - and it doesn't have to be a grand affair - some of the examples discussed started off life as inkjets bound together in to hand made volumes to sell. I think it's a really fascinating thing to do. If you print your images and like to frame them, then putting a hand made book together is no different from this - it is a way of collecting a body of work together and giving a form of closure as well as a final purpose for the work.

There are many book project case studies contained within PYPB to make it an interesting read, simply because of the creative decisions. Everyone is entitled to think about putting a book together - many people do it via Blurb for instance. PYPB helps you think about reasons for publishing, what your market is, and what type of photography book might be the best idea for a project.

Putting a book together is like working on any concept. It's an inspiring adventure and it can also bring a lot of purpose to your photography. If you are suffering from a lack of ideas or direction in your own photography, then I would urge you to consider setting up a project of some kind - and a book is a great way of visualising the final outcome. Having that final goal in mind can do wonders to spur your creativity into action and give you something to get your teeth into.

Above all else, it's a fascinating read as I love to hear about people's creative decisions.

You can get it from Neil's Beyond Words book store.