Most folk who live in Scotland find the weather during November harsh. It's often wet, windy and cold.
But visiting the isle of Harris when there are many winter storms coming through, has given me the chance to work with atmosphere more than anywhere else I know of.
Although the island offers little in the way of craggy coast-line or sharply defined mountains, I find this lack of attributes ideal, because it allows me to focus on the basic elements of colour and tone.
Harris is all about atmospheric changes.
Often overwhelmed by the space around me, I find I seem to tune in to the elements, so much so, that I can spend days here absorbed in it all. And days I must spend, because Harris does not offer up its secrets in one day.
The variances of light on the landscape change and evolve slowly over days if not weeks and I often feel Harris is all about the study of time.
Above all, the changes in the landscape seem to reflect the changes that I notice within me as a photographer. And I feel there has been a change. Perhaps I'm trying less to tell the landscape what I want, and instead, I'm more at ease with letting it tell me what it wants.
Sometimes I feel as though I really know a place, only to find that I've really just scratched the surface.
The Altiplano of northern Chile and Bolivia had many surprises in store for me in 2013. I had not anticipated snow at such a high elevation during the season that I ventured here.
I'm only acutely aware now, that the Altiplano figures largely in my future as a place for me to work on my compositions, and my understanding of light, shade and tone. It offers challenges that I have not experienced elsewhere on my travels to date.
The Unveiling of a Portfolio
I often leave large spells between a shoot, and the editing of it. I find the distance allows me to gain some objectivity.
While I was editing this body of work, I realised that leaving things too long, can bring on a feeling of creative blockage. It was such a joy to work on these images. Each one has its own personality, and now that they're all here, I feel as if I've always known them. Like they were always here, but just out of sight, waiting to come out and show me who they are.
I also enjoyed watching the entire portfolio take shape. As each image was completed, I felt as if the mood and tone and story of the portfolio shifted and changed.
Like an Arctic Tundra
Visiting the south coast of Iceland in January, was like seeing a familiar friend in a very new way.
We saw icelandic ponies, set like black silhouettes against the white backdrop of nothingness, and I often wished I could have made images of them. But it was not to be.
We had snow drifts and oftentimes the sky was inseparable from the ground that we were driving on.
The landscape still provided. I think in some ways, Iceland remains one of my best friends.
I took along a recently acquired hasselblad 500CM camera that I'd aquired from a dear friend. I love the square aspect ratio and I think it was great to come to Iceland, and see new compositions - suggested to me - by working with a new aspect ratio.
I think square has more of a graphic-art suggestion to it. I think this lends itself to influencing you to look at the landscape in a more abstract way. It's certainly something I wish to continue to explore. Sometimes, new (old) equipment can lead you in a new direction.
Tones & Simple Shapes
I didn't know quite what to expect returning back to Bolivia. Would I create the same kind of work as I did in 2009, or would I have a new way of looking at the same landscape?
I'm pleased to say that I didn't have an answer to this until I was back home, working on the new images from this trip.
I now see, that my first trip to Bolivia in 2009 opened up the door towards simple compositions and this recent trip allowed me to see how far I've come down that road.
It's been a beautiful journey so far and the altiplano is a great place to simplify, and think about tones and shapes only.
Vibrancy & Hues
On the altiplano, and particularly so on the Salar de Uyuni salt flats, one is forced to think about tone and colour only, because that's all there is to work with.
It really does make for a great lesson in 'less is more'.
But I feel that it's not just about improving craft.
The clarity of the light really does make for a very intimate experience. I do hope to continue to come here, as there is so much more that I have yet to explore.