Of course, there's always another point of view, or interpretation of the same location. That mountain - Geitelva, across the water from Fredvang is quite a formidable character, and I was always looking for vantage points to photograph him.
Driving into Fredvang one evening, there was so little light, that I felt that I was always reaching for the area of the sky where the light was. It took me to a little outcrop, just across the water from Geitelva. You wouldn't know it, but right behind me, where I made this shot, was a fishing factory. I could hear the loud muffled blare of a radio playing Norwegian electronic dance music. The electronic dance music seemed to accompany me in my car throughout my week's stay in Lofoten - and it was the best radio I've heard in a long while. Still.... from looking at the shot, you wouldn't get the idea that there was a bit of a din going on behind me (even though I liked it, since it kept me company for this 20 minute exposure).
On a different day, the light levels were much more appealing. The cloud cover had gone and with it, the sunrise of 11am and sunset of 1pm didn't feel so short. The day was full of pink light wherever I went and I found it quite a challenge not to rush. I would be at a location, wondering if I should move on soon, because normally, this sort of light doesn't last long in Scotland. Half an hour, maybe 10 minutes.... but here in Lofoten, it was lasting for hours. This shot is of a large frozen bay up near Eggum.
There's a temptation to make everything dark and moody, but sometimes the scene demands a lighter touch, as in the case of this photo of perhaps my favourite mountain in the whole wold - Oldstind. The weather was unusually calm for most of my stay on Lofoten, which isn't what I tend to prefer. I like drama and mood, but I always remind myself there is beauty in everything, whether it's an overcast day, or a bright, almost colourless day like this one. It's really about me bending to the landscape, rather than it bending to me.